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Shamanic
Journey Drumming
Evelyn Rysdyk & C. Allie Knowlton
From the Artist
"Our desire was to produce a shamanic drumming recording of the
highest possible quality, using state of the art recording and mastering
techniques to support the listener in expanding their consiousness
and more fully exploring the richness of our human experience."
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Drumming
To Journey By
Kay Cordell Whitaker
The compelling consciousness altering sounds
on this CD are woven into an enticing rhythm produced by four traditionally
crafted drums, a traditional ceremonial deer toe rattle, the resonant
singing of two crystal bowls activated only by the sounds of the drums,
and the distant whispering of an ancient calling chant. click
here to readmore... |
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Sacred
Spirit: Chants And Dances Of The Native Americans -
Sacred Spirit
This album is really nothing short
of brilliant. Native American chants are sung over a mostly modern
backdrop of electronic instrumentation. The effect is positively
gripping. The moment you stick this in your CD player, you'll be
forced to pause and listen. The chanting is marvelous because it
has an authentic sound which hasn't been modernized or translated
into English. Its power is in its pure authenticity. But at the
same time, the modern instrumentation really represents "today's
America", with the influences of all of our many races . Review
by bethtexas
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Ancient
Power Deborah
Martin & Steve Gordon
This is no cheap tourist trinket's
tinkling clatter, as other new age tribal concept albums so often
resemble. The soul-cry of the Apache visits in these songs. Authentic
native instruments and chants are fused with guitar, keys, tambourines,
and such - but not too overblown nor out-of-the-flow...Synths melded
with textural guitar verge on an Emerald Web/Peter Buffet sound...You
even hear cicadas calling from Indian ruins on this CD. If you like
Native American music with that new age delivery, then Ancient Power
is recommended with no reservations. Review
by Progression
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The
Garden of Mirrors Stephan
Micus
ThisMulti-instrumentalist and
composer Stephan Micus is a unique explorer of sonorities, wandering
the world to study instruments from a host of heritages. His work
is marked by a simultaneous interest in the instruments' distinctive
properties and original uses and his own vision. For the nine-part
Garden of Mirrors, Micus has added to his instrumental palette with
bolombatto and sinding, two lower-register West African harps with
attached tin rattles. These are used here to accompany vocals or
are joined in various configurations with a complement of ethnic
flutes--including Japanese shakuhachi, Balinese suling, Egyptian
nay, and an Irish tin whistle--as well as steel drums, and Micus's
voice is overdubbed to a 20-member chorale on three tracks. The
results are often hypnotic, combining hyper-resonant instruments
with static five-tone scales and chanted micro-melodies.
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